YYDC performances at BAM Fisher (Fishman Space) 2019

Seeingdance: "Yin Yue is a new choreographer to me, but she left me wanting to see more. Impressive choreography, yes, but impressive dancers too. Full of power and precision, their commitment and stamina is huge. Dance and dancers that captivate, that excite. You can’t ask for more than that."


Dance-enthusiast: "YYDC’s movement looks like it feels yummy on the body, all elastic lunges, cushiony pliés, and gestures that sketch the air like cursive."


YYDC performances at Schrittmacher Festival 2019

De Volkskrant: “With the relaxation of tai-chi, but also the acrobatics, speed and graceful lines of Chinese dance, Yin Yue is a promising new voice in the long tradition of modern dance.”

Commission for Pennsylvania Ballet

Ballet Alternatetakes2: "Yue’s ballet idioms fused with grounded modern movement and cultural classicism is vital choreographic ground. It flows with urgency and liberated technical precision."


Fjord Review: "the style is sharp angles intersecting with lush, languorous curves."

Phindie: "A Trace of Inevitability, was an overwhelmingly powerful piece"


Commission for NW Dance Project


Oregon Artswatch: "Yin Yue’s Before Dawn ­– performed by the lean quintet of Metheis, McGill, Nieto, Usov, and Wong ­– slithers and slides in quick, surprising, and consistently interesting ways. It’s clearly the work of a rising star: she was born in Shanghai, studied Chinese classical, Chinese ethnic, and eventually modern contemporary dance there, then moved to New York, where she leads her own highly regarded contemporary company." 


Commission for Hubbard Street Dance Chicago 2

Chicago Tribune: "Opening the program, in a rare appearance with the main company, Hubbard Street 2 is terrific in Yin Yue's world premiere quintet, "A Glimpse Inside a Shared Story." The energy, speed and boldness of youth inform her quicksilver choreography and the sometimes head-spinning dancing. "


Commission for New Dialect

Nashville Scene: "combines athletic physicality with sensitive gestures"


Commission for BalletX

The Dance Journal: "They never stopped moving, spinning instead from one lift into another, and the ferocious male trio that followed hinted at Yue’s true potential."

Commission for George Mason University 


Broadway World: “Featuring the signature stylings of choreographer Yin Yue, dancers pulse, drop, and flow their way to a brilliant execution of Ms. Yue's pioneered FolkContemporary style.”


Commission for Limon Dance Company

Dance-enthusiast: "No Room for Wandering features intricate combinations that display Yue’s mastery of space."

Commission for Bruce Wood Dance 

Theater Jones:  "Yin's begin again not only is this one of the best choreographic works of the year, but the New York-based choreographer managed to pull an exciting quality not typically seen from the well-trained BWD cast. Unexpected and absolutely stunning, its premiere at their June show is a highlight for the company."

D Magazine: "The ambiguities are powerful, the piece riveting."


Commission for Boston Dance Theater

Boston Globe: "Shanghai native Yin Yue’s “Today for Now,” making its US premiere, was fueled by the deep dark blues of Janis Joplin. Dancers roiled with fluid phrases, pushing and pulling, supporting, carrying, curling under and over, coiled limbs and supple spines threatening to turn bodies inside out. Sharp gestures implied a barely contained fury. It was captivating to watch."


Commission for Whim W'him

Seattle Times: “The Most Elusive Hold” is a successfully challenging piece.

Seattle Gay News: "The work is clean, geometric, exciting, and complex."

Video Interviews

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